We are excited to announce our latest installment of The Counterpoint Classroom, a companion resource to The Counterpoint Club. The Counterpoint Classroom is a free…
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In the fifth and final episode of Opus 3, we delve into the intersection of chamber music and orchestra playing. At first glance, these two…
Leave a CommentIn the fourth episode of Opus 3 of The Counterpoint Club, Let Them Eat Cake, we discuss balancing sound in a chamber ensemble (and there…
Leave a CommentIn this episode of The Counterpoint Club, we’ll be talking about one of the trickiest aspects of music: Transitions! First, Sarah and Willie team up…
Leave a CommentSince the inaugural Opus of The Counterpoint Club, we have been dealing with the complex world of Pencil Gnomes. However, up to this point, we…
2 CommentsIn the second episode of Opus 3 of the The Counterpoint Club, R-E-S-P-E-C-T, we explore how to work with your colleagues in a respectful and…
2 CommentsOpus 3 of The Counterpoint Club begins with The Plan. This episode is all about creating structure through organization in a chamber ensemble. Justin explores…
Leave a CommentIn the final ENCORE Interview for Opus 2, Willie and Justin speak with violist James Dunham. This conversation is the unabridged version of that heard…
Leave a CommentIn this Opus 2 ENCORE interview episode, Sarah Pizzichemi interviews composer, singer, and professor Dr. Kaley Lane Eaton. Kaley Lane Eaton’s edited interview is originally…
Leave a CommentIn this ENCORE Interview for Opus 2 Brandon and Justin speak with violinist Annie Fullard. This conversation is the unabridged version of that heard in…
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